Silver Hands

A slight change of pace today.  As the name itself implies, The Girl Without Hands features a main character who looses her hands (through a foolish deal with the Devil that her father made).  A little later on she receives silver hands to wear... eventually getting real, human hands again thanks to her goodness and the kindness of an angel.  I'm thinking of turning the angel into a female scientist in my rendition of the tale, but that's really by the by.  What really matters right now is that I'm planning on creating silver hands as part of the overall costuming.

I've spent some time looking at 19th century prosthetics, as well as metalwork from the 18th and 19th centuries plus some pieces of contemporary haute couture which thematically works.

I love this utterly creepy Victorian prosthetic arm.  I don't believe I want to make on myself that is articulated, but I still am fascinated by this piece.

At the moment I'm looking at a couple different techniques for making the hands, although it'll probably be a little while until I can get into the metals studio and try them out.  I'm interesting in trying both electroplating and electrotyping to create metal hands based upon life-molds taken from the model (whoever that turns out to be).

Electroplating permanently bonds a coating of metal to whatever it is you've properly treated and immersed in the chemical bath, while electrotyping adheres to the agent itself and creates a copy from a mold.  Since I want to create metal hands that are essentially wearable in glove-like fashion, whatever it is I make will have to be hollow.  Electrotyping seems like it would be an ideal solution in this instance, although the technique was maining popular during the Victorian era.  To create something like that through electroplating, I believe I would have to create a cast of the model's hand and arm out of wax, which I could then coat in metal using the electroplating after which I would melt the wax out.

I have no idea yet which techinque might be more appropriate or yield better results... if I want to do raised relief decoration on the silver hands (which I would like to do), it seems as if doing that on a wax cast would be the easiest way.  But I think I won't know until I get in the studio and actually try it all out.

Or I could do a combination of metalwork and stitchery... like these killer shoes by Alexander McQueen.

Oberbayern Tracht from the 1810s and 1820s

I found some really wonderful prints yesterday when digging around on the internet on the website of the Trachten Informationszentrum, which apparently is an institution not terribly far from Munich which specializes in fashion and folk costume from the Oberbayern (Upper Bavarian) region.  Their website contains a very small selection of their entire collection, which is comprised of over 4,000 items of clothing, 20,000 images, and an extensive library.

I think I need to go there.  According the website they are open to the public every Thursday, but are very open to setting up private appointments on other days to look at things. Hopefully I'll be able to take a trip sometime in the next month.

The first two prints are from 1813 and are by Ludwig Emil Grimm... and yes, that is Grimm, as in Ludwig was the younger brother of Jacob and Wilhelm Grimm.  Very, very cool.

1813 - Baierische Bäuerinnen vom Schliersee

I love almost everything that these two are wearing... the strange little pantaloon type things (also worn by the men in the print below), the decorated back of the bodice, the almost gauntlet-like sleeve things, the overall silhouette... I have a feeling I'll be drawing heavily from this sort of style in my designing.

1813 - Baierische Baueren vom Schliersee

1817 - Eine Bäuerin von Holzkirchen

 1818 - Ein Bauer von Flintspach

1825 - Bauern-Bursche & Bauern-Mädchen von Brannenburg

Making for the men- an 1825 dress coat

When it comes to constructing costumes for the 1820s (and really, for the majority of all time periods) I'm far more familiar with women's clothing than with men's.  To start to gain that familiarity with the shape and inner structure of men's clothing, I'm putting together a muslin of the 1825 Dress Coat from the book Cut of Men's Clothes.  I'm not sizing it in any way, just scaling up and making a mock-up in the original size.  The idea is to be able to understand the garment so that when I get around to making the actual pieces for my project, I'll know how and where I want to deviate.  The coat is actually really small; it might even be a decent size for me!

I scaled the pattern up by hand, which was super easy to do once my tutor told me a little trick... since the measure at the side of the page isn't a nice and neat 1/8 to an inch, draw a grid (or partial grid) over the pattern and then cut the scale off the side of the page to use as a sort of mini-ruler.  Such a common sense solution.  I couldn't believe I'd never thought of that before...

The muslin is currently all cut out and partially constructed, and I should hopefully finish putting together tomorrow.

Royalty and Riches - journal entry from 27 Sep, 2013

So what were German nobility wearing at this time period (1819-25)?  It varies a little bit, but for the most part it seems as though they were following the same fashions trends found in France and England with only very slight differences.  I love the crazy amount of glorious silver or/and gold embroidery on a lot of these...

Therese of Saxe-Hildburghausen, Queen of Bavaria, by Joseph Stieler

1823 - Worn by Oscar I of Sweden and Josephine of Leuchtenberg for their wedding in Munich

Could anything possibly look more fairytale than this ensemble?  I kind of doubt it.

1819 German Court Dress

 1823 - Princess Augusta Amalia of Bavaria

 1820s German Court Dress

 1825 Queen Pauline of Württemberg

1825 Ludwig I of Bavaria

 1825 King Ludwig I of Bavaria again... this time all decked out in his regalia.  Check out those shoes!

Determining the palette

One of the best ways to achieve consistency in either a single painting or in designing an entire show, is to decide on a palette of colors to utilize, and then to stick to that palette.

I'll be doing the actual costume renderings (illustrations) in graphite and oil paint, so it made sense to use oils now when simply playing around with color.  And this way I'll know exactly what colors to mix with and restrict myself to when I actually do the renderings.  I could probably limit my initial palette even more, but I shouldn't get too crazy using these: Titanium White, Cadmium Yellow, Yellow Ochre, Cadmium Red, Venitian Red, Burnt Umber, Ultramarine Blue, and Cerulean Blue... I like to mix my own black using equal parts Burnt Umber and Ultramarine Blue.

My main visual inspiration for overall color themes was a photo of part of the ceiling and a chandelier in Versailles.  I printed the photo out, pasted it to a sheet of paper canvas, and painted swatches around it.  Some of the swatches I painted over several times, and I'm still not %100 sure the palette here is final, but this the general direction I want to take it.  (adding, of course, metallic gold and silver... lots and lots of gold and silver)

Field Trip? journal entry from 24 Sep, 2013

Met with one of my course directors today to discuss current research, ideas, etc.  He suggested several artists and films to look at which have ties to my theme... reeinterpretations and contemporary tellings of fairytales, as well as suggesting I look at German museums for researching Tracht.

I had visited the websites of several German museums, and though there are several museums which seem to have decent collections of historic clothing and folk costume, none of them have complete or even partial online collections.  It seems that if I really want to study Tracht in-depth, I will have to go to Germany.

In no particular order, I would love to visit:

First- the Germanische Nationalmuseum in Nürnberg. 

Photo of part of the Germanische Nationalmuseum's costume collection.

Also- the Bayerisches Nationalmuseum in München.

And- the Modemuseum at Schloss Ludwigsburg.

All three museums are within a less than two hour train ride of each other, which would actually make a research trip quite feasible within a fairly short trip.  I first need to email the museums though to see if it would be possible to look at objects in their collections not on display, and then see if I have the funds for such a venture.  It might really be worth it to go, as there's really not much by way of German tradional clothing in museums here in the UK.

Tracht - journal entry from 23 Sep, 2013

Nearly my entire morning and early afternoon has been pleasantly spent searching the internet for images of German Tracht (traditional folk costume).  One website in particular has been wonderful for images of mid to late 19th cen traditional costume, containing scans of a huge number of 19th and early 20th century postcards. In looking for images from the early 19th century however, I've mostly relied on google and pinterest searches; searching for 1819 Tracht, 1820 Tracht, etc... fortunately there's not a lot of overlap in search results, and there are several very interesting prints from nearly every year which pop up.  Unfortunately, I haven't yet found a single site where images of early 19th cen Tracht are conveniently compiled... perhaps that's something I should consider doing myself...

Some of the highlights from today's search:

Town woman and farm girl from Augsburg - 1820

Trachten aus Kammern und Kallwang, Aquarell um 1820 Matthäus Loder
Traditional clothing from Kammern and Kallwang in 1820

Bayerische national Trachten - Nürnberg, Renner, und Schuster um 1820
Bavarian national clothing in 1820

It's really interesting how even though this print is dated to 1820, the clothing is very strongly 18th century in style.  In the mens' clothing the short waistcoats and standing collars on the coats are indicitive of the early 19th century, but cocked hats and knee breeches had fallen out of fashion years prior.  The woman's outfit is obviously Tracht instead of 'fashionable' wear, but the cut of her jacket is also rather reminiscent of the 18th century.

Later images show a more fossilized and highly regionalized fashion:

Bayerische Volkstrachten - Unterfranken und Aschaffenburg, Uettingen
Bavarian folk costume

Hessische Trachten, Mädchengruppe, Sonntagskleider
Hessian traditional clothing, group of girls in Sunday dresses

 Niedersächsische Braut, Kleid mit Perlenhut

Bride from Lower Saxony, dress with beaded/pearled hat

Volkstracht aus dem Elzthal
Folk costume from Elzthal

This last one is super interesting, as the woman on the left is wearing a dress which is obviously modelled on 18th century clothing, as is the straw hat which the woman on the right is wearing.  Since this is an early 20th cen postcard featuring Bayerische Volkstrachten (Bavarian Folk Costume), I can't help but wonder if it is presenting the tradional clothing from two different eras... just shown side by side. 

If anyone has recommendations for good books or websites on the subject, please let me know!  I'm only just starting to study this particular area, and am still trying to figure out the best sources of information.